Illustrations from calendars I've illustrated

Thanks to those who sent me messages on yesterday's post of an illustration for the Jewish New Year. I've posted here further illustrations from a few different calendars I've illustrated (and designed) for PEJE (Partnership for Excellence in Jewish Education). There are SO many more illustrations!

At the Dead Sea.

A map of Israel with the favorite sites or things to do.

Kids learning from the Torah.

At the Wailing Wall.

Thanks for looking!

Happy Jewish New Year! 5770

Happy New Year to all my Jewish friends.
This is an illustration I did for a calendar for PEJE (Partnership for Excellence in Jewish Education). I illustrated each month with images from holidays which fell during that month.

Apples dipped in honey is traditionally eaten for a sweet year.

Life drawing

While I was on vacation, my wife saw a listing for an open life drawing class (not really a class- more of a free-for-all that cost $7). So I showed up and the room was already full- I was a little late as the address didn't make enough sense to the GPS on my phone- full of artists mostly in their later years with huge sketch pads, conté crayons, brushes, pastels etc, etc. And me with just my sketchbook and a ballpoint pen (I mean, I didn't expect to need anything more on vacation!).

We warmed up with a few 5 minute poses before jumping into one loooong drawing. The sketches above are from that same pose, just that I mived to the other side of the room to get a new vantage point.

I didn't put these drawings up because they're my favorites, I put them up because I was so happy to be drawing a live model and I wanted to remember how much fun it can be and how nice it is to sit in a room with other artists as if we were a community for more than just 2 hours. It's like the air is different (and it is- there's a lot of charcoal and pastel dust) or charged and you're all sharing an experience together. and you walk out with renewed energy for sketching/drawing. So if you're an artist, I strongly recommend that you get out now and then and draw with others and walk around and see how they approach the same problem (as in math problem, not in a negative way) you're faced with and watch yourself grow from the experience.

Bad time to answer the phone

A recent sketch from my sketchbook:
Seems you can’t go anywhere without coming across someone talking on their phone with little regard for those around them. So I’ve started sketching various scenarios like this one. I’ll upload my Batman one to my blog once I have it worked out better. Now I’ve gotta go answer the phone...

Aliens!

We just returned from vacation (which is why I haven't updated my blog in a while) and one morning while away, I was watching my son Leo play with anything that looked like it might be a toy. A toy golf club became a (leaf) blower. The sofa became a hub for all his (flying) cars. And his real toys- I could only imagine what he was seeing in them. And he was especially having fun with an alien toy. He has such a creative imagination that I thought I'd draw for him some aliens and a Leo character/warrior to play with them.

Frank Zappa poster (or Phi Zappa Krappa)

I took a quick va-cay in Vermont these last few days and came across this poster. I love the style, the subject matter is dead-on and even the way the poster is falling apart adds to the overall appeal. Where can I get one?

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HELVETICA

I saw the HELVETICA movie this week. Yes, it's a movie about a font, but it has a rich and interesting history and the movie is interspersed with a variety of designers (a few big names and then a few smaller ones) who either extoll the font's virtues or rip it to shreds.

It was nice to see how excited some designers were when they described HELVETICA while others were quite funny in their criticism (either of the font or those who use it).

I walked away uncertain whether or not I wanted to use the font ever again- and that's what this drawing is about.

Paul McCartney

I went with my family to the Paul McCartney concert at Fenway Park in Boston yesterday and was wowed by the performance(s) and the venue so I decided to create a tribute. Illustrated above is one of Paul McCartney's guitars surrounded by the songs he performed.

Below is a photo I took on my iPhone which I had to enhance to try to get a better image (too many things conspired against me- a low-quality camera, bright skies behind a dark arena and vid screens that were often too bright for the camera to deal with).

And then there is a video I took (again with the iPhone) of the light show and fireworks during Live and Let Die:


If you're a Beatles fan, this show would not have dissapointed you. What a great night!

Baby- that's my logo!

I was at a party with friends this past weekend when I spotted something familiar. A 7-week old named Jonah was sporting the logo that I had created for a summer camp! What a kick it was to see something I had designed, completely out of context and while in my civilian identity (when I wasn't working). Isn't he a cutie?

Here's the logo:The logo went through many, many incarnations before we finally settled on this look, these colors and the gazebo which is one of the first things you see when you drive into the camp. I'm very proud of how it turned out.

Harvard Square

My tribute to Harvard Square in Cambridge, MA where you will always find a musician performing, usually right near the Harvard Coop (pronounced Coop, not Co-op) which is the building I depicted.

Nationally known performers who got their start in Harvard Square include Tracy Chapman and Joan Baez.

When you're not watching the street musicians, there are SO many great restaurants and stores to check out (Favorite restaurants: Border Cafe, Fire and Ice, Grafton Street).

Girl in a tree

I really wanted to draw a tree showing the texture of the bark and somehow a girl got stuck in it.

Keys

Perhaps because my wife and I are closing on our new house tomorrow I decided to finish up this illustration. What more need be said?

Vaulting ahead

Getting ahead despite being stuck in the same size box as your coworkers.

An editorial illustration I began some time ago (portfolio pieces sometimes have the luxury of time) and finally got around to finishing recently.

Cape Cod Map- download a free version

If you're heading to Cape Cod this summer, here's a simplified map I just finished illustrating and designing. I did a simpler version (1 color) for a wedding program and then decided to finish the map to a higher degree.

For a free higher resolution PDF of this map to actually use when you visit the Cape, click here to download it.

Following Instructions

This is an illustration of a group of people I created for Flash Kids/Barnes & Noble books. The instructions were much more complex than what I usually get (draw a tree with a squirrel running on a branch, for example) and it took a lot of rechecking to make sure I got everyone right. Here's the description from my client:

Assignment: illustration of a group photo of 3 older men, 1 with short hair, 1 with no hair and 1 with long hair, 1 with glasses, 1 with a hat; 2 older women with short hair; 1 middle-aged man with no hair and glasses; 2 middle-aged women: 1 with a hat and short hair and the other with long hair and glasses; 3 girls, 2 with long hair and 1 with short hair, 1 wearing glasses; 2 boys with short hair 1 with glasses and 1 with a hat; 4 large dogs, 1 spotted black and white, another just black, and 2 golden; 1 small white dog; and 1 small brown dog.

Are you dizzy yet?

Housing market

An editorial piece I completed a few days ago about the housing market and how every house that gets sold is another step out of the recession hole. This could either be a broker or a buyer proudly displaying the house that has just sold.

So everyone, go do your part and buy a house. Or a cup of coffee...

What we read this week

In honor of Children's Book Week, here is a collage of most of the books my wife and I read with our 3 1/2 year old son this past week. By Leo's decree, some books must be read every night (until he gets a new favorite) while others make the occasional appearance, cycling in and out.

The Fish Who Cried Wolf is a favorite book, beautifully illustrated and very engagingly written, but with what is easily the worst name. The original story (The Boy Who Cried Wolf) behind the name doesn't even strictly connect to this story and makes the book seem like just another carbon copy, but it is actually very originally written.

My Truck is Stuck is also nicely written with rhymes you can't get out of your head. Leo is now able to 'read' this book by himself because it flows so cleanly. Lots to see in the artwork.

Free Comic Book Day this year got my son stuck on Pixar's Cars and The Incredibles (which was a back-up feature to Cars). Cars was good and somewhat easy to follow (although he didn't get any of the irony which was a bit too subtle) but The Incredibles (written by the VERY talented Mark Waid) was a little too dense for Leo's age. When we read this one, we basically have to paraphrase the character development pages to keep him interested until the action starts again. Once there's jumping and running again (not much hitting), he loves it!

The last one I want to mention (among all of these great books) is Robert Munsch's Purple, Green and Yellow. Last night was my first time reading this book and I loved it! Although the drawing style is a little dated, the use of color was very appealing and nice to look at. And the story! Munsch has a way of packing so much into one story without overwhelming the reader. This short story could be turned into a movie adaptation making use of the interesting twists/occurrences in the book.

Now, I have to get back to drawing my own children's books!

2 (Cool) Old Guys

I decided to put myself through an exercise today: Design a poster that makes these old guys cool.

My motivation was to keep things fresh while also updating my website (this will go in the 'design' section under 'posters'). Yeah, I used some popular conventions in the design (the style of the photo, edgy type) but I hope you will agree that I made the design my own with the concept.

First, I decided that these guys should be in a band, and what better name for a band than going with exactly what they are? It helps that they are dressed hip (certainly better than I was dressed when I shot the photo in Boston. I recall a pair of flip flops.). Then I gave them a venue and a couple of performance dates. (If you took a few minutes to Google the venue you would find out that it's an assisted living community where the median age is 80. Just having fun!)

I considered putting something about the type of music they play but decided against it- leaving this out suggests that if you were cool you would already know what they play.

Wolverine's secret identity...

In honor of the new Wolverine movie, I was sketching the other day in my book and started playing with the idea: What if Wolverine had a secret identity (old-school style)? So I pretended that he's a normal-looking guy (with glasses and all) with a 9 to 5 as a real estate broker or a lawyer and when he hears the scream of a mugging victim he transforms, Hulk-style, into the feral, hirsute Wolverine!

My favorite part: The familiar 'SNIKT!" that you hear when he pops his claws also occurs when his sideburns pop out.

Oh, and those forehead lines are inspired by Art Adams (for those of you who remember his kick-ass Wolverine from The Asgardian Wars).

Hope you enjoy this make-fun piece...

Art Shmooze

This is a logo I created recently for a non-profit artists advocacy group called the Graphic Artists Guild. I became president of the Boston chapter a few months back and have been working on building up membership and attendance to our events. One of our recurring events is an Art Shmooze: members and non-members get together to discuss current events in our industries, get help with hard/software issues, discuss social networking and drink some beer.

Really, I wanted to call the events "Shoot the Sh*t" but didn't think that some of our older members would appreciate that. Plus the imagery would have been visually quite unappealing.

The text is hand lettered and I created the icon to show exactly what the events are about: food goes in, words come out.

Logo Design- What to consider when it's time to hire a designer

Congratulations on your new business.
You've done the research, made a business plan and now you're finally ready to get your business off the ground. So now you need a logo to convey to everyone that yours is a serious venture with four sturdy walls and a leak-proof roof. Here are some things to consider before you hire a designer to create your new identity/branding system, and then a few while your designer is designing away.

1) What is the name of your business? You've probably given this quite a lot of thought and spent some time researching the name. Also be sure to secure a domain for the business before you spend money on a logo for a name that is already taken.

2) What do you want the logo to convey (who is your target audience)? Should it be serious, edgy, fun, conservative professional, corporate, young...?

3) What information do you want in your logo? Do you have a tag line? Do you want/need an illustration or icon?

4) Who is your competition? Provide your designer a list of competitors so s/he can get an idea of who you're up against. How do you differ from them?

5) Do some research. See what logos are out there and come up with an opinion on what you like and what you don't. I don't mean just trolling the web for an hour. I mean you should also be looking around when you go to the mall, when you flip through a magazine and when you go food shopping. Logos are everywhere and you can get an idea of what you think works and what does not work (icon or no? What color(s)? What shape?). Make a list. The more you immerse yourself in existing logos, the more you will know what will look good for your business (much like knowing about fashion before going into the store to buy an entire new wardrobe). Of course, you don't need to dictate to your designer every little thing- your research will help you to be more discerning when it comes time to look at his/her concepts.

6) See what others in your industry have on their letterhead. If you're in, say, the furniture business, do a Google search: Furniture, logo.

7) Avoid fads. Pink and chocolate-brown look great together. Will you still think so in a year? In 5 years?

8) Avoid lettering that will become dated. That funky font may have a 'best if used by' date.

9) Do not let/make the logo become too overcomplicated. It does not need to tell the whole story about your business, it just needs to be an identifier. And memorable.

10) Hire a designer with a body of work that is diverse (with logos that are fun, serious, edgy etc...) so you don't get stuck with options that look like the rest of his/her work.

11) Avoid overused icons. But if your new company is "Light Up My Room" and you feel you must have, say, a lightbulb, then it should be used in an innovative way. (Lightbulb logos. Some are innovative and some are less so)

12) Communicate with your designer. Make sure s/he understands your business (as you're the one who knows it best!), your views on what you do and do not like (see #5 above), your competition and your expectations. But also be open to your designer's suggestions- s/he has been doing this for a while!

13) Sign a contract. A contract is the only way to be certain that you will be getting what you need for the agreed-upon price. There should be a time line for the sketch phase and for finalizing the chosen logo. A number of rounds of sketches and sketch options per round should also be negotiated ahead of time (see #14 below). Also negotiate a kill-fee based on the % of work completed in case you or the designer needs to stop the work.

14) Request 2-3 different logo directions for each round of concepts. From there you can choose what is working and what is not. The designer should then take your input and make changes accordingly to one or two of the original directions. Or if the original concepts weren't hitting the mark then s/he should offer up 2-3 new concepts. I also recommend that you see the concepts on a simple white background so you don't get thrown off by whatever cool design or simulated effect is going on behind the logo.

15) Don't rush approval. Get feedback from friends, associates and family before giving your feedback to the designer on sketches or on finals. It's all about fresh eyes (You MUST look at this link to know what I mean- and for a laugh). Be clear in your feedback.

16) Logo versions. Other versions you may need:

• PMS or 4-color process version: For printing
• RGB version: For online use
  
• One color version: A simplified logo using one of your logo colors. For use on a fax cover page or if you're sponsoring a charity run, for example, they'll want to put a 1-color logo on their shirts to thank you.
• Black and white and gray: If you want to put the logo on a flier you're printing on your laser printer or photocopier.

17) Logo file formats: You will need your final logo saved as an EPS and (optionally) an AI file. These are files you can send to any other designer to fulfill whatever printing or online needs you might have. Get all versions of these on a CD and back them up. Other files:

• TIF: If you would like to slip your file into a Word document or Powerpoint.
• JPEG: If you want to put your logo on your Facebook page or Twitter or Flickr.
  

18) Final logo checklist:

• Is the logo recognizable or forgettable?
• Does it properly target your desired demographic?
• Does it stand on its own?
• Is it legible (kind of obvious, but not for some)?
• If there is a tagline, what happens if the logo is used small?

19) What else do you need designed? Here's a brief list of items you may need to complete your branding:

• Letterhead (both offset printed and a Word version to print from your computer)
  
• Envelopes (of varying sizes)
• Business cards (for all employees)
• Email signature set up
  
• Signage (if you have a store front or for trade shows)
  
• Thank you cards
• Announcement cards
  
• Brochure

All told, the design process should not be too painful, but be prepared to make decisions and to be involved in most aspects of it since, as I said before, you're the one who knows your business best!

What I'm working on- Sudoku

I've been (slowly) working on this story about a dad doing a Sudoku and his daughter thinking that just because she read online about the secret to doing the puzzles she can cruise through. Ultimately, she messes it up.

The final piece will be more of a comic page with panels but I wanted to show how I was drawing over my scanned sketches. You'll also notice just how much I'm revising from the sketch phase (that is, when I'm not working on a gig for a client. For clients, my sketches are much tighter so they know what they're gonna get when the piece is finished).

Since I'm working on real (paying) jobs, I'm just fitting this piece in whenever I have a chance so we'll see how soon I can get it done.

Portrait for Twitter and Facebook

Cindy Bernat is a successful real estate agent in NYC who decided she wanted to shake things up a little bit, which, during a down economy and terrible housing market, isn't such a bad idea. So she contacted me to illustrate her portrait for use on her Twitter and Facebook accounts (with a revamp to her email signature).

I worked from a photo she supplied me to create the portrait, then we discussed what the background might look like. My first pass (see below) was a background comprised of random New York buildings.
Cindy felt that the buildings were too non-specific and the feel was of an area of NY that she doesn't represent. She also wanted to be wearing a white shirt with a collar and a more straight-forward necklace. She provided me with some thoughts of what she wanted in her background and I began to work on it.

And then I pulled it all together, adding color but keeping the buildings a gray tone so they wouldn't compete with the portrait.
Finally, as you'll see in the final image at the top of this post, we added the 'SOLD' sign and pulled her collar out to overlap her jacket (she knows fashion much better than I do!). And the image is complete.

If you want to see her new image in action, Cindy can be found at www.twitter.com/cindybernat

Children's Musician CD

Vanessa is a wonderfully talented musician/singer/songwriter whose newest album, Carnival Day, has just debuted and has already won an iParenting Media Award. I was fortunate enough to work with Vanessa on the illustration and design of her CD, including the creation of a Vanessa character and plenty of other characters from her songs.

This was a very fun, multifaceted job and I'm thrilled with how it all turned out.

The bottom image shows a few fully illustrated pages from the CD booklet, again incorporating the characters from the songs.

French Windows

A bit of a departure from my usual 'ED' (cartoon-y) stuff, this photo-realistic 'FRED' image based on a photo I took in Paris is one I've been working on for quite some time. I'll open up the file from time to time and just work on bits until I get distracted and put it away for another time.

I really like the yellow-ish color of the building and how the areas where the sun hits get bleached of any color. Someday I'll finish it up...

Snowman wants coffee. And no more winter.

Okay, I've had enough of this winter already. I'm not usually a cold weather complainer but enough is enough. I mean we're halfway through March and I should be able to leave my coat at home when I run to the store. Or leave a window open while I sleep without freezing the leg I habitually leave outside the covers. Sigh.

So I got to thinking I probably wasn't the only one- in fact I could probably name 127,354 others who feel the same way, but the snowman is a very poignant extreme and that's why I chose him for this book/editorial illustration... 'cause if HE'S sick of winter then there's a problem!

To Spring!

Another mash-up of unrelated objects & people

More random sketches to fit together like a sketch puzzle. It almost looks like a "Can You Find..." search game.

New Composite sketch

A gathering of faces, an arm and an eye.

There's a Donkey in the Tree!

An illustration I just finished for a book that my agent is hocking. It's based on a story that my father loves to tell us (and his father told it to him and his siblings) about the Jewish holiday Tu B'Shevat. The holiday is the new year for the trees and as the story goes, all trees, bushes and plants bow down to God at midnight on Tu B'Shevat. Well, it's at this time that a traveler ties his donkey to a tree and goes to sleep at an Inn. He wakes to find his donkey is now at the top of the tree...

Pizza in 4 parts

Last night I decided to make some interesting pizzas for dinner. I can make pizza in my sleep (it's a fall-back meal when I've got no other ideas) so sometimes I like to be creative.

-On the first I put oil on the dough, some basil, sliced tomatoes, salt and fresh mozzarella.
-On the second I put chopped tomatoes over sauce, with shredded mozzarella and cheddar and Romano and Parmesan. After it was almost done baking I added baby spinach and fresh roasted pepper (which finished cooking JUST in time for me to use).
-On the third I did a simple (turkey) pepperoni pizza with Romano and Parmesan because that's the one the wife likes best.
-The fourth was a regular pizza with part of it folded over to create a stuffed-pizza for my son who was so hungry he wouldn't wait for me to photograph his section.

Yum.